The Independent Student Newspaper of St. John's University

The Torch

The Independent Student Newspaper of St. John's University

The Torch

The Independent Student Newspaper of St. John's University

The Torch

View this profile on Instagram

The Torch (@sju_torch) • Instagram photos and videos

Torch Photo / Olivia Rainson
Discovering the Power of the Five Love Languages
Abigail Grieco, Features Editor Emerita • April 23, 2024
Torch Photo / Olivia Seaman
The Future is Calling, But Right Now Is Louder
Elizabeth Kaufmann, Opinion Editor Emerita • April 22, 2024

FOB’s Manically New “M A N I A”

Fall Out Boy’s road to releasing their seventh studio album “M A N I A” was a rocky one. The album’s lead single, “Young And Menace,” was released last April to a vast majority of unfavorable reviews. Longtime fans criticized the song for being a stark departure from the band’s pop-punk roots with its autotuned EDM sound. “M A N I A”’s original September release date was also postponed until Jan. 19 after lead singer Patrick Stump explained that the process “felt very rushed” in a Twitter statement.

Now that the band’s long awaited follow-up to 2015’s “American Beauty/American Psycho” has finally arrived, it contains a wide range of both radio-ready pop synths and heavier rock anthems. The variety of sounds found on “M A N I A” proves that Fall Out Boy is no longer the poster child for the emo scene that they were ten years ago.

Following “Young and Menace” as the album opener, “Champion” and “Stay Frosty Royal Milk Tea” are standouts, with their heavy guitar riffs and fast pace being the album’s biggest similarities to the band’s early days. The two are also notable examples of Fall Out Boy’s famous lyrical style and pop culture references, especially when Stump sings, “I’m about to Tonya Harding on the whole world’s knee.”

Stump’s electric vocal range is in full effect on “M A N I A” as he hits a multitude of high notes in “Church” and during the slower ballad “Heaven’s Gate.” This showcase of Stump’s soulful voice might be the most impressive aspect of the entire album.

While Fall Out Boy might have hit some high marks in “M A N I A,” the album as a whole is their biggest departure from their pre-hiatus pop-punk sound to date. A diehard Fall Out Boy fan might be disappointed by the lack of heavy guitar and drums that were a staple in albums such as “From Under the Cork Tree” (2005), and the appearance of pop-heavy jams such as “HOLD ME TIGHT OR DON’T.”

While “M A N I A” might not be the Fall Out Boy that people cherished during their middle school emo phases, their new work is a refreshing twist on the pop-punk roots that first escalated the band into the mainstream spotlight.

Leave a Comment
Donate to The Torch
$0
$500
Contributed
Our Goal

Your donation will support the student journalists of St. John's University. Your contribution will allow us to purchase equipment and cover our annual website hosting costs.

More to Discover
About the Contributor
Erin Bola
Erin Bola, Chief Copy Editor
Erin Bola is a senior journalism major with a minor in public relations. She started as a copy editor at the Torch during her freshman year and spent the last two years as the Social Media Manager. Her goal is to increase copy editor involvement with the production of the Torch and foster a stronger team environment in the office. Have any questions? Email Erin at [email protected]
Donate to The Torch
$0
$500
Contributed
Our Goal

Comments (0)

We love comments and feedback, but we ask that you please be respectful in your responses.
All The Torch Picks Reader Picks Sort: Newest

Your email address will not be published. Required fields are marked *